Pristine examples bring top dollar. The record is much less complete after I did not consider auction sales such as E-Bay ; private sales between individuals who are not regular dealers; pawn shop or other irregular sources, or any anecdotal stories. All of the Martin horns have a sweet sound, and a very lush lower end. The later examples have better intonation in the upper end than the earlier examples.
Some instruments were stamped H. Brown rollers always, as well as snap in pads and Norton springs. Most of the examples you will find will be in a satin silver finish. I have based my valuations upon the following assumptions: I think the ones below around are good horns, and that you should be careful above that number. Better feel and intonation than the Balanced.. The differences in the variations are pretty minor, mostly in mechanism.
The record is much less complete after Some instruments were stamped H. Selmer and some were not. All were stamped Adolphe Sax 84 Rue Myrha. By comparing early verses later instruments, it becomes clear that some Adolphe Sax Selmer saxophones were assembled from the old Adolphe Sax tooling and other were put togther using parts and tooling from the Selmer St. Louis Gold Metal model instruments. There were two series of Dorsey horns. The first series was made in with serial numbers 24xxx and the second in with serial numbers 27xxx.
True Tone - Buescher Manufacturing Co. Year Range Serial Range - - New Wonder - Chu Berry Year Range Serial Range - - - - - - - - - - - - F-mezzo soprano Keyed in F, the F-mezzo design is a unique hybrid between the Chu Berry and the Naked Lady with same side bell keys. Basic design is of the Chu Berry family. Year Range Serial Range - - S-1 If there was ever a near perfect design, I think this it.
These horns are bargains. The baritones are extremely rare and fabulous! Usually seen in silver. You sometimes see these in nickel plate. There is strong demand for these fine instruments. Prices may vary considerably depending upon the amount and style of engraving. Pristine examples bring top dollar. Most are in silver. These horns have a real cult following.
The Conqueror series 26M and 30M have very elaborate adjustment mechanisms and solid silver key touches. The Constellation 28M alto has three octave vents and the best feeling mechanism around, along with a high tech for the era plastic key guard.
It was designed by my good friend and legend Santy Runyon. They lost their rolled tone holes after WWII. From until , these fine German horns manufactured by J. Keilworth were distributed at various times by W. They have quite a cult following today, and with good reason. I find their intonation to be sketchy at best. The Zephyr is a killer! The Zephyr Special had a solid silver neck and mother of pearl key touches.
I understand there were a few made with sterling silver bells. The Zephyr baritone remained essentially unchanged throughout the production run and sound great. Around number XXX, the Super 20 was introduced. Around XXX, the Super 20 was cheapened considerably: I think the Kings have strong upside appreciation potential. These horns are under appreciated. They are the best of the vintage baritones. All of the Martin horns have a sweet sound, and a very lush lower end. There are lots of variations on the Martin theme, and below are the ones that I think you should consider.
From the Committee on, they are almost always lacquer. The name alone inspires reverence. Some models certainly command the highest prices. Selmer has the only legitimate claim to be the direct successor of Adolphe Sax. I believe that the models before the Balanced Action are overpriced. You can buy two wonderful old Conns for what some people are asking for Selmers of the same era. I have found that most of the action in pre-Balanced Action horns is just talk. There seem to be very few people outside of a few collectors buying these horns.
Similar adjustments for finish. New Largebore — ; Cigar Cutter 13, — 17, , and Super 17, — 18, These are the first horns that really sound like Selmers. The differences in the variations are pretty minor, mostly in mechanism.
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The first series was made in with serial numbers 24xxx and the second in with serial numbers 27xxx Year Range Serial Range - - - - U. I Year Range Serial Range - - - - - - - - - - - - - - - - - - - - - - - - Gold Medal Mk.
They are the best of the vintage baritones. Nothing else is quite like it. These are the first horns that really sound like Selmers.
All were stamped Adolphe Sax 84 Rue Myrha. Around XXX, the Super 20 was dating selmer saxophones considerably: Very saxophonse tone, great workmanship. The engraving is usually not too elaborate. Physical appearance is similar to the True Tone, but the neck is different, the keyguards schweden frauen flirt more deluxe. New Largebore — ; Cigar Cutter 13, — 17,and Super 17, — 18, The Zephyr baritone remained essentially dating selmer saxophones throughout the production run and sound great.
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